At the top there is a virtual H3000 front panel, while the middle is taken up by a Preset Parameter section offering controls such as wet/dry mix, input and output levels, filter settings and tempo-related controls. Two of the new plug-ins, Band Delays and Factory, were derived from the H3000-series Harmonizers, and the other two, Reverb and Octavox, are lifted from their flagship Orville hardware unit.īand Delays (right) and Factory share a similar graphical user interface, which is divided into three sections. These, again, originated in Eventide's hardware processors, but they are much more contemporary in origin. Anthology BundleĮventide later added four more plug-ins to the Clockworks Legacy bundle to make the Anthology bundle. I would value a make-up gain control on the Omnipressor plug-in, but I appreciate that would step away from the faithful model of the original hardware unit. I too took a little time to get to grips with the Attenuation and Gain Limit controls and what the meter in Gain mode was telling me, but having seen the logic behind it, I am very taken with being able to limit the amount of gain or attenuation a compressor puts into a signal path this makes it possible to have a quite high ratio setting whilst making sure the compressor can only apply so much gain or attenuation. I too agree that for sci-fi effects these plug-ins are the business, and I wouldn't be at all surprised if Paul McFadden, who is part of the audio post-production team for the current Doctor Who series, has them in his 'toolbox'.įinally, I can't leave this section without commenting on the Omnipressor emulation. On the reviewer's Mix system, the Harmonizer plug-ins took a whole chip for one mono instance, but I can report that on my HD2 Accel system, H910 took 25 percent of one of my HD Accel chips and H949 took 50 percent of a chip. The only other things I want to mention are to bring up to date some of the findings of the 2003 review. I have always felt that most flanging processors don't quite match the original tape-machine-created effect, but Instant Flanger does it for me. SOS reviewed this bundle back in September 2003 ( sep03/articles/clockworks.htm) so I am going to skip past these processors other than to reaffirm that Instant Flanger is still one of the best flanging effects around. Eventide have resisted the temptation to 'update' them, other than to add some MIDI control and automation of course, preferring to reproduce them warts and all as software plug-ins. This bundle consists of precise software models of the Eventide hardware favourites from the 1970s - the Instant Phaser, Instant Flanger, Omnipressor, H910 and H949 Harmonizers. The result is a suite of processors and effects that brings together 'retro' and contemporary sounds not only within one bundle, but also in some cases within individual plug-ins. Since they launched the Clockworks Legacy bundle three years ago, Eventide have been adding to their range of TDM plug-ins, and the new Anthology II package combines that original suite of effects with the more recent Anthology and several even newer products. Eventide's range of high-quality Pro Tools plug-ins continues to grow, and the new Anthology II bundle collects together no fewer than 15 separate effects and processors.
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